The slow clothing movement is following the lead of slow food as a way of responding to waste, pollution, and exploitation issues in the way we dress.
Australian social entrepreneur Jane Milburn, founder of Textile Beat, has spent five years studying the need to transform a culture of excess to a more thoughtful and engaged approach. She believes slow clothing is the antidote to fast fashion.
In her new book, Slow Clothing: finding meaning in what we wear, Jane presents a compelling case for wearers to change the way we dress so that we can live lightly on Earth.
Slow Clothing is being launched in Sydney by ABC-TV’s War on Waste crusader Craig Reucassel who revealed 6000kg of textiles are going to landfill every 10 minutes in Australia.
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I rescue natural fibres. I already have many, yet I bought a $2 wool blanket with holes at an RSPCA op shop recently. It has no label, just remnants of blanket-stitched edges. I know it is wool by the feel of the fibres which glow in the sunlight after I wash it. I admire the texture and beauty of the old woven threads. There is life there. I will upcycle this ‘dog blanket’ into a garment with a story to tell about how it came to be.
All my clothes are handmade or secondhand and they feel good on many levels. My clothes are imprinted with individual spirit, my kansei. I refashion existing garments to suit my body shape, or completely transform discarded resources into something of my own making. I buy almost nothing new, except underwear and shoes.
Even though I have bought secondhand on and off forever, I did not talk about it. There was a stigma of poverty, of less than, in secondhand although vintage was OK if slightly quirky.
That was before I stepped up, before I did leadership study and learned about self-actualisation, before I upcycled my career as a rural advocate and communications manager to found a start-up called Textile Beat in 2013. Now I champion slow clothing, raise awareness of textile waste and the potential for upcycling old natural fibres into new.
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Textiles are the biggest product segment at Reverse Garbage Queensland, prompting the launch of Worn OUT as an exhibition to celebrate refashion and creative upcycling.
At the RGQ warehouse in Woolloongabba on October 28, Worn OUT showcased 35 refashioned garments made by a dozen creatives from around Australia.
Co-curators Jane Milburn, left, and Elizabeth Kingston, right with a Karen Benjamin plastic dress.
Coordinator Bill Ennals said textiles had easily become RGQ’s fastest-growing segment in the past few years with local businesses diverting excess stock to the warehouse for resale rather than sending it to landfill. Continue Reading →
Brisbane is the first city in the world to host a pop-up secondhand fashion festival as a waste minimization strategy, to the best of my knowledge. I (Jane Milburn) checked with New York refashion academic Sass Brown and Sass knows of no other. Do tell if you know of another.
Stiltwalkers showcase refashion at the 2016 Revive event in the heart of Brisbane. Photo by Brisbane City Council
Revive is in its second year and pops up again on 18 August 2017 at South Bank Forecourt from noon to 9pm. Hats off to Brisbane City Council, Cr Peter Matic and Cr David McLachlan for leadership. With textiles being one of the fastest growing domestic waste streams, fuelled by fast-fashion turnover, I am proud to have been in the room at its conception. Thank you to Cr Matic for acknowledging my contribution.
The advent of Revive followed a 2015 opportunity I had to address a council meeting on a matter of public importance. Here’s the link to my 2015 address (including Hansard pdf) when I spoke of the need to develop a more sustainable clothing culture. Revive is a huge step in this direction. Continue Reading →
You know the eco tagline is truly authentic when upcycled garments are included on the runway, as they will be at Eco Fashion Week Australia on November 23-27.
Sceptics might think eco fashion is a branding exercise, another way to sell you things you don’t really need, because fashion is by definition the latest fad or trend – ever-changing and therefore by implication unsustainable.
Eco is short for ecology, ecosystem or environment – so upcycling garments that already exist (another 100 billion* new garments are added to the supply chain each year) lends credibility to this inaugural eco fashion event in Fremantle.
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By Ari Balle-Bowness
Clothing of today changes faster than the weather. Buying clothes, wearing them once and leaving them in the cupboard is commonplace. This is not an assumption, it is a regular observation.
I am a 19-year-old journalism student at Griffith University sharing a male perspective on contemporary clothing culture and how to combat the fashion monster that has come to dominate our thinking.
My clothing choices are independent as I try to stay away from the fast-fashion options and prefer to develop my own style. My solution is op-shopping and second-hand stores which are increasingly popular among younger generations. For many my age, the vintage revival is booming and op shops are becoming trendy places which also happen to provide a more sustainable way to dress. Continue Reading →
By Jane Milburn Textile Beat founder and sustainability consultant
Textile Beat founder Jane Milburn clothed in wool garments given a second life using eco-dye. Photo by Ele Cook
My campaign on clothing waste has been a lifetime in the making. It began as a child learning hand-making skills and continued as a student upcycling big old dresses and thrifted finds.
I made many of my clothes for decades then rediscovered op shops in 2011 after a Fashion for Flood fundraiser. I began visiting op shops and particularly seeking out natural-fibre garments – wool jumpers with a hole, linen shirts with a missing button. The waste of resources troubled me because I grew up on a farm and have an agricultural science degree. What was happening to our clothing culture I wondered?
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Mended garments carry a story of care. They reflect the triumph of imperfection over pretension while the act of mending itself brings transformation in both mender and mended.
By embracing repair as a valid and useful act we, the menders, are stitching new life-energy into something others step over in the scrabble onwards and upwards. To pause, apply creative problem-solving and add a mark of care to our clothes, we extend their life and bring meaning to our own.
The clothes we wear are a statement of values. We may go through stages of searching for newer, sharper images and think clothes, like makeup and leopard spots, can camouflage and attract the right sort of attention. Alas, the pipe dream. Continue Reading →
Below is original script from Jane Milburn’s TEDxQUT talk on April 8, 2017.
This suitcase weighs 23kgs – it’s overweight if you’re flying. And it represents the amount of leather and textiles that each Australian sends to landfill every year.
Every one of us … every year.
We know about food waste and that a third of food is never eaten – clothing waste runs parallel to that.
Every day we eat and dress to survive and thrive.
Our clothes do for us on the outside what food does inside. They warm and protect our body – and influence the way we feel. Continue Reading →
Few people sew their own clothes these days because factory-made options are cheap and plentiful, yet this trend creates a clothing surplus that requires creative solutions to keep it out of landfill.
Textile Beat is celebrating four years of upcycling and helping influence a more sustainable clothing culture based on using natural fibres and applying traditional skills in innovative ways.
Sustainability consultant Jane Milburn of Textile Beat
Textile Beat founder Jane Milburn said the Slow Clothing Manifesto identifies 10 actions we can take to thrive in a material world: think, natural, quality, local, care, few, make, adapt, revive and salvage.
“Clothes do for us on the outside what food does inside – nourish and warm our body and soul. Fast and processed industrial food has had a dramatic impact on health in recent years and similarly the shift to industrial clothing has social and environmental impacts we are only now learning,” Jane said.
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