Stitching skills and agency are antidotes to fast fashion

Developing stitching skills and regenerating our own agency in the wardrobe are antidotes to fast fashion, according to Churchill Fellow Jane Milburn who spent two months in 2022 researching upcycling actions that help reduce textile waste and enhance wellbeing.

Slow fashion practitioners Jane met include Bea Lorimer in NZ, Amy du Fault and Cal Patch in the USA.

Jane’s multidisciplinary project is at the intersection of culture, creativity, science, health and wellbeing in the way we dress. It aims to inspire social change and contribute to climate action and sustainable living across communities by shifting the culture of fast fashion consumption towards slow clothing philosophy and practice.

It highlights citizens, educators, designers, influencers and practitioners who are independent from fast fashion because they have developed their own style, regenerated their own agency and empowered themselves through fit-for-purpose wardrobe solutions that offer diverse entry points.

Jane’s fellowship is about disrupting the fashion system through the power of consumer behaviour and choices because there is no better time for the citizenry to be activated and engaged through everyday practices. It is about taking charge of our clothes, divesting ourselves from dependency on destructive systems by becoming actively engaged in and caring for what we wear rather than passively choosing from the latest offerings. It is grounded in the practices, choices and actions that reduce our material footprint: think, natural, quality, local, few, care, make, revive, adapt and salvage as outlined in The Slow Clothing Manifesto.

It is about regenerating our own agency and being empowered through skills, knowledge and desire to assemble a wardrobe of garments that we want to wear and keep in service for as long as possible. Agency is attained through simple skills to undertake acts of styling, mending, co-designing, and upcycling to appreciate and value the natural resources that go into clothes and manipulating them to fit our needs. Being more engaged with our clothes is a driver for systemic change as well as bringing with it financial, environmental, empowerment and wellbeing benefits. At its simplest, it is being resourceful and using commonsense; neither expensive nor particularly difficult.

There has been a global awakening about the environmental and social issues around what we wear. You can watch documentaries, read books, magazine and media stories carrying the message of deleterious impacts of excessive production and consumption.

“Even during my Fellowship, New Scientist magazine’s cover story asked the question Can Fashion Ever Be Green? (June 4, 2022) and its editorial said ‘Make do and mend: The fashion world must change its environmentally destructive ways’. It concluded with this comment: Here’s to a make-do-and-mend mindset becoming mainstream – and even fashionable.’’

“These actions are the essence of my Churchill Fellowship which investigates wearers being hands-on and taking charge of their wardrobe to reduce waste and enhance wellbeing. Across the world, I found many individuals, academics, social enterprise and small business change agents envisaging and implementing small and slow solutions that can help people solve problems in their wardrobes,” Jane said.

In the United Kingdom, Jane met with Professor Kate Fletcher, co-author of Earth Logic: fashion action research plan which calls for a profound rethink of fashion in the face of the climate crisis. Her fellowship fits with the Earth Logic model under the section of learning new knowledge, skills and mindsets for fashion, and pertains to how we ‘acquire, care for and mend clothing, how to share clothing, how to want the clothes we already have’.

In the United Kingdom, the United States of America, and New Zealand, Jane found many people learning and sharing skills for empowerment to create change and enhance health and wellbeing:

  • EMPOWERMENT: Designer Cal Patch teaches people how to use their own body shape and aesthetic to make clothes to suit themselves. Learning from Cal enabled Sonya Philip to sew her way out of a clothing drought and author a how-to book The Act of Sewing.
  • SKILLS: Teacher Ros Studd responded to the lack of mending skills traditionally learned through schools or families with a free learning platform, while groups such as Sewing Café Lancaster gather and engage their community by sharing sewing skills.
  • HEALTH and WELLBEING: Entrepreneur Geraldine Tew observed the lack of making causing un-wellness and created an upcycling workshop program engaging designers such as Bea Lorimer to share skills and experiences that can inspire more upcycling at home.

These actions, and this report, form part of what Earth Logic describes as an activist knowledge ecology, a platform for the parallel generation of knowledge, action, empowerment and change.

A summary of ways this Churchill Fellowship found people are undertaking actions that help in REDUCING TEXTILE WASTE include:

  1. restyling and wearing what is already in the wardrobe
  2. thrifting, mending and dyeing existing clothes
  3. redesigning, co-designing using existing clothing and materials
  4. making their own clothes, some hand-stitching to further slow the process
  5. liberating and sharing dormant and waste textile resources within local supply chains
  6. skill and knowledge sharing within communities
  7. supporting local, regenerative natural fibre and design systems

A summary of ways people are ENHANCING WELLBEING from hands-on actions include:

  1. a sense of empowerment and agency over what they wear
  2. a sense of playfulness, joy and self-expression in having interesting clothes
  3. feelings of calm, relaxation, self-soothing, distraction, resilience and meditation
  4. comfort from slowing down, thinking through making, and being resourceful
  5. a felt sense of meaning and mindful connection to self, clothes and community
  6. a sense of contributing to broader solutions for fashion waste
  7. feelings of interconnection to nature and the natural world

“My report is available on the Churchill Trust website and includes ways that all citizens with a can-do, will-do, mindset can regenerate their agency when they allocate leisure time to resourceful creativity rather than shopping for quick fixes,” Jane said.

While the ‘making do’ in earlier times was born from lack of resources and most people did it,  nowadays ‘making do’ is more likely to be a response to excess and, ironically, it may be the privileged who are currently most engaged. Modern ‘making do’ is more about choices and actions to be resourceful and sustainable, more likely about saving the planet than specifically needing to save money.

“The people I met have become more self-reliant in various ways by developing skills and insights to make themselves independent of the fashion supply chain. They are reclaiming control of their wardrobe by being more hands-on in creatively making, mending, redesigning or restyling clothes already around them to reduce waste and enhance wellbeing. They are empowered through what they wear and uninterested in slavishly following trends that provide fleeting satisfaction at best.

“Through this Fellowship, I tapped into the citizenry swimming against the all-consuming tide. They are engaging in hands-on processes that enable a consumption pause, taking time for self-reflection and working with what is at hand before making considered decisions in any new purchases.

“These citizens are showing that culture change is possible when we inform ourselves and learn skills of independence and resourcefulness, and invest time in the process. “

RECOMMENDATIONS from Jane’s Fellowship are:

  1. More education around hand-sewing skills for mending, tinkering and mindfulness
  2. More opportunities to engage and share clothing resources, skills and creativity
  3. Wellbeing services based around regenerating agency in the wardrobe
  4. Redesign services that enable engagement and co-design
  5. More engagement through opportunities to practice permaculture and citizen science
  6. More awareness-raising of unsustainable consumer culture and greenwashing
  7. Localisation to promote and enable place-based fibre systems and culture

This Fellowship is a step towards changing the consumer culture of dependence on global fast fashion supply chains to one of independent flourishing of local creativity, engagement and connection through what we choose to wear.

It brings focus to the concept of dressing for health and wellbeing rather than status and looks, and outlines how engaged citizens can gain wellbeing benefits by regenerating their own agency using what is around them and, in so doing, contribute to reducing the textile waste burden.

“We can’t change the world, but what we can do is change the way we live through our everyday practices. Those small decisions and choices for living simply are within our means, they are the steps to leading a modest yet fulfilling life in harmony with the natural world.”

Story first published in QCWA’s Ruth Magazine

slow clothing stories in Ruth Magazine Summer 2022 23

Jane Milburn awarded OAM

Since 2012, Jane Milburn has advocated for living simply through sustainable everyday practices with a particular focus on how we choose, care for and dispose of clothing, and a decade on has been awarded a Medal of the Order of Australia for service to fashion sustainability.

Jane Milburn, OAM, recognised for slow clothing advocacy. Photo by Robin McConchie

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Slow Clothing culture

Slow Clothing is the antithesis of fast fashion. It is a way of thinking about, choosing, and wearing clothes so they bring value, meaning and joy to every day. We have finite resources on Earth and careful use of those resources is required to sustain our individual and collective future. Slow Clothing is a holistic approach to dressing that enables self-empowerment and individual actions to enjoy clothes while minimising our material footprint. It manifests through ten simple actions and choices—think, natural, quality, local, few, care, make, revive, adapt and salvage. This post is an extract from Jane Milburn’s 2017 book Slow Clothing: finding meaning in what we wear.

Dressing is an everyday practice that defines and reflects our values. We are naturally attached to clothes on a physical, emotional, even spiritual level. We are particular about what we wear because we want to look good, feel comfortable, reflect an image and belong. Yet almost all our garments are now designed for us and we choose from ready-made options based on our age and stage of life, work, status and spending capacity. Unless we deliberately choose to step off the fast-fashion treadmill, we are trapped in a vortex with little thought beyond the next new outfit—without consideration for how we can engage our own creative expression, energy and skills.

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Upcycling Challenge brings dormant textiles to life

Due to the Omicron outbreak, Eco Fashion Week Australia and the associated Upcycling Challenge (outlined in the post below) has been postponed until 2023.

Garments with meaning and story fit for A Closet of the Anthropocene will form the Upcycling Challenge collection at the upcoming Eco Fashion Week Australia in 2022.

Participating designers are asked to choose a ‘’hero’’ textile lying dormant in its current form and build on that to create a uniquely meaningful garment with a great story to tell about how it came to be in the world.

The hero textile might be Granny’s embroidered tablecloth, Mum’s outdated wedding dress, Dad’s old uniform, a favourite childhood dress or jumper, something painted in art school, or a beautiful but damaged treasure discovered in an op shop. This textile can be repurposed along with other materials of choice into a storyful creation with the hero at heart.

The EFWA Upcycling Challenge coordinator is Jane Milburn who has been personally upcycling since 2013 as a way to spark action in response to fashion excess and textile waste. Her upcycled wardrobe includes history skirts, denim tunics and geometric dresses made from dormant materials.

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Rising to resilience

Disruption arising from the pandemic reminds us of the need to live thoughtfully in tune with nature, as Jane Milburn reports.

Jane Milburn wears self-made upcycled silk dress. Photo by Robin McConchie at Mt Coot-tha Botanic Gardens.

Sewing arose as a survival skill during the COVID-19 pandemic when global supply chains fractured and locally-made cloth face masks became valuable personal protection equipment. Even New Zealand Prime Minister Jacinda Ardern made her own face covering to help stop the spread of the coronavirus when masks became mandatory on public transport during the Auckland breakout.

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Wear the difference

When we follow a predictable path, we walk in another’s shadow. Only when we explore our own creativity and embrace the unusual can something original emerge. Jane Milburn reports

What is unusual? The dictionary says it is something remarkable or interesting because it is different from or better than others. Synonyms include extraordinary, singular, particular, marked, outstanding, notable, distinctive, striking, unique, unparalleled, mind-blowing and superior.

Jane Milburn, left, and Elizabeth Kingston, right, wear their own style. Photos by Patria Jannides and Evelina.

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Influencing behaviour change

Fashion is responsible for up to 10 percent of carbon emissions and about  70 percent of the clothes in our wardrobes are not worn. These are some of the reasons to choose ways of dressing that are more circular and regenerative.

Changing our behaviour is the biggest thing we can do to reduce our energy and resource consumption. Great to see reloving options expanding, with UNTAGGED Sustainable Fashion Exchange a new option for keeping wardrobes fresh whilst being kinder to our wallets, each other, and the planet.

They’ve been sharing quotes through their Instagram platform, including words from Cate Blanchett, Jane Goodall, Emma Watson, Livia Firth, Vivienne Westwood, Carry Somers, Elizabeth Cline,  Celine Semaan, and Jane Milburn (that’s me).

Making is a super power: Linnae Hamilton

You will never regret acquiring practical skills says Linnae Hamilton. Working on your self-reliance is a great thing to be doing at this time of uncertainty, as well as taking care of yourself, simplifying your life and possessions.

After a wide-ranging career including as a film maker and graphic artist, Linnae brought all her skills together to set up the non-profit Remade in Brooklyn in an old carriage house in New York in the United States. She based it on the model of Remade in Edinburgh and outfitted the carriage house with big tables and secondhand sewing machines to teach people to sew at free weekly workshops called Mend it Monday, which expanded to Fix it Friday as well as a Wednesday session. “I wanted to teach people how to sew, because sewing is a great life skill to have. I love making things and once it gets under your skin, you can’t not do it. It’s a super power.”

But as coronavirus turned everyone’s lives upside down, Linnae had to make the sad decision to close the doors on carriage house and has moved upstate New York to a healthy area where she can work remotely. She is now working to serve the community by developing an online community as a resource for people interested in repair.

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Join us for a Slow Fashion Season

Are you up for a Slow Fashion Season? To make conscious wardrobe choices for three months from June 21 to September 21 this year? It might mean buying nothing for three months; or swapping, upcycling or sewing your stash; buying second-hand and vintage; or supporting sustainable, local, small fashion labels if you find you really need something new.

Slow Fashion Season, a global challenge out of The Netherlands, which aims to have 25,000 people participate and together save the equivalent of up to 750 million litres of water and 2.5 million kgs of CO2 emissions through positive choices. We’d love you to sign up and be part of this collective action.

I personally committed to making conscious choices in my wardrobe forever after noticing fashion excess and setting up Textile Beat in 2013 to have conversations about textile waste. My personal actions for the next three months will be upcycling what I already own.

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Sustainable fashion actions

Small individual actions can, and do, create big changes. About 10 percent of our carbon footprint is embedded in the clothes we wear therefore our choices matter. Since 2013, Jane Milburn has been raising awareness about ways to reduce our material footprint through slow clothing actions: think, choose natural, quality, local, have few, care for what you have, make your own, revive, upcycle and salvage. In this news report, ABC journalist Lucy MacDonald outlined three ways for dress sustainably: buy sustainable fibres, choose pre-loved, and shop your wardrobe. She chatted with Jane about upcycling and reskilling so we can get more life out of what we aready own.