Good Earth Cotton ticks all the boxes

Carbon positive, water efficient and growing within an ethical and traceable supply chain are the signatures of Good Earth Cotton pioneered by innovative growers David and Danielle Statham who run Sundown Pastoral Company in New South Wales and Queensland.

Their Keytah farm at Moree, NSW, hosted the Painted River Project and Bank Art Museum Moree in March 2022 to facilitate conversations and creativity around the use of water and natural resources in the sustainable production of food and fibre as the essence of life.

There are 1600 cotton farms operating across Australia in what is a successful, high-pressure industry on farms that are amongst the biggest in the world. Collectively these farmers apply technology including high-yielding seed that has been genetically modified using a naturally-occurring protein to maximize production while using integrated pest management to reduce chemical usage by 97 percent (ie once they sprayed up to 16 times to control insects, now only 1 or 2). Technology also has driven water-use efficiency measures that grow more cotton with less water. David Statham said these changes have occurred alongside increasing community awareness of the need to conserve natural resources and protect ecosystems. Seventy percent of water flows are allocated to environmental flows to protect natural habitats, river systems and wetlands which feed the Murray Darling River System.

Keytah farm manager talking cotton with Painted River Project artists – Moree 2022  Photo by Sally Tsoutas

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Dress with a good story to tell

This Art of Planetary Health dress has a good story to tell about how it came to be.

It was created in the field during the 2022 Painted River Project at Moree, run by the Bank Art Museum Moree and led by Dr Leo Robba from Western Sydney University, during a gathering of people at the intersection of ecology, farming, art and health.

Jane Milburn imprints Good Earth Cotton with good earth. Photo by Lauren Marer

It is handmade from carbon-positive, sustainable, traceable, high-quality Good Earth Cotton grown at Keytah farm from seed modified to resist insect attack and under irrigation to enable resource-use efficiencies.

Although the cotton used in this dress had travelled offshore to be spun and turned into fabric, I imprinted it with the good earth on which it was grown before adding marks and fabric paint.

Adding colour and linear design elements to the fabric

Cutting out the dress on the banks of the Mehi River in Moree as part of the making process

The fabric was then cut and stitched it into a dress on the banks of the Mehi River in between conversations about cotton and slow fashion. There is nothing like putting our own energy into making clothes to truly appreciate the time, skills and resources that go into those we buy.

This project was the subject of a feature story in The Guardian by Lauren Marer

Pinning the seams on the river bed for final stitching of side seams. Photo by Sally Tsoutas