Churchill Fellow finds stitching skills and agency are antidotes to fast fashion

Developing stitching skills and regenerating our own agency in the wardrobe are antidotes to fast fashion, according to Churchill Fellow Jane Milburn who spent two months researching upcycling actions that help reduce textile waste and enhance wellbeing.

Jane’s multidisciplinary project is at the intersection of culture, creativity, science, health and wellbeing in the way we dress. It aims to inspire social change and contribute to climate action and sustainable living across communities by shifting the culture of fast fashion consumption towards slow clothing philosophy and practice.

It highlights citizens, educators, designers, influencers and practitioners who are independent from fast fashion because they have developed their own style, regenerated their own agency and empowered themselves through fit-for-purpose wardrobe solutions that offer diverse entry points.

One of 55 people Jane met on her Churchill Fellowship was Professor Kate Fletcher, co-author of Earth Logic.

This fellowship is about disrupting the fashion system through the power of consumer behaviour and choices because there is no better time for the citizenry to be activated and engaged through everyday practices. It is about taking charge of our clothes, divesting ourselves from dependency on destructive systems by becoming actively engaged in and caring for what we wear rather than passively choosing from the latest offerings. It is grounded in the practices, choices and actions that reduce our material footprint: think, natural, quality, local, few, care, make, revive, adapt and salvage as outlined in The Slow Clothing Manifesto.

It is about regenerating our own agency and being empowered through skills, knowledge and desire to assemble a wardrobe of garments that we want to wear and keep in service for as long as possible. Agency is attained through simple skills to undertake acts of styling, mending, co-designing, and upcycling to appreciate and value the natural resources that go into clothes and manipulating them to fit our needs. Being more engaged with our clothes is a driver for systemic change as well as bringing with it financial, environmental, empowerment and wellbeing benefits. At its simplest, it is being resourceful and using commonsense; neither expensive nor particularly difficult.

“Across the world, I found many individuals, academics, social enterprise and small business change agents envisaging and implementing small and slow solutions that can help people solve problems in their wardrobes,” Jane said.

A summary of ways people are undertaking actions that help in REDUCING TEXTILE WASTE include:

  1. restyling and wearing what is already in the wardrobe
  2. thrifting, mending and dyeing existing clothes
  3. redesigning, co-designing using existing clothing and materials
  4. making their own clothes, some hand-stitching to further slow the process
  5. liberating and sharing dormant and waste textile resources within local supply chains
  6. skill and knowledge sharing within communities
  7. supporting local, regenerative natural fibre and design systems

A summary of ways people are ENHANCING WELLBEING from hands-on actions include:

  1. a sense of empowerment and agency over what they wear
  2. a sense of playfulness, joy and self-expression in having interesting clothes
  3. feelings of calm, relaxation, self-soothing, distraction, resilience and meditation
  4. comfort from slowing down, thinking through making, and being resourceful
  5. a felt sense of meaning and mindful connection to self, clothes and community
  6. a sense of contributing to broader solutions for fashion waste
  7. feelings of interconnection to nature and the natural world

This report includes ways that all citizens with a can-do, will-do, mindset can regenerate their agency when they allocate leisure time to resourceful creativity rather than shopping for quick fixes.

While the ‘making do’ in earlier times was born from lack of resources and most people did it,  nowadays ‘making do’ is more likely to be a response to excess and, ironically, it may be the privileged who are currently most engaged. Modern ‘making do’ is more about choices and actions to be resourceful and sustainable, more likely about saving the planet than specifically needing to save money.

“The people I met have become more self-reliant in various ways by developing skills and insights to make themselves independent of the fashion supply chain. They are reclaiming control of their wardrobe by being more hands-on in creatively making, mending, redesigning or restyling clothes already around them to reduce waste and enhance wellbeing. They are empowered through what they wear and uninterested in slavishly following trends that provide fleeting satisfaction at best.

“Through this Fellowship, I tapped into the citizenry swimming against the all-consuming tide. They are engaging in hands-on processes that enable a consumption pause, taking time for self-reflection and working with what is at hand before making considered decisions in any new purchases.

“These citizens are showing that culture change is possible when we inform ourselves and learn skills of independence and resourcefulness, and invest time in the process. “

RECOMMENDATIONS from Jane’s Fellowship are:

  1. More education around hand-sewing skills for mending, tinkering and mindfulness
  2. More opportunities to engage and share clothing resources, skills and creativity
  3. Wellbeing services based around regenerating agency in the wardrobe
  4. Redesign services that enable engagement and co-design
  5. More engagement through opportunities to practice permaculture and citizen science
  6. More awareness-raising of unsustainable consumer culture and greenwashing
  7. Localisation to promote and enable place-based fibre systems and culture

This Fellowship is a step towards changing the consumer culture of dependence on global fast fashion supply chains to one of independent flourishing of local creativity, engagement and connection through what we choose to wear.

It brings focus to the concept of dressing for health and wellbeing rather than status and looks, and outlines how engaged citizens can gain wellbeing benefits by regenerating their own agency using what is around them and, in so doing, contribute to reducing the textile waste burden.

“We can’t change the world, but what we can do is change the way we live through our everyday practices. Those small decisions and choices for living simply are within our means, they are the steps to leading a modest yet fulfilling life in harmony with the natural world.”

Read the summary Jane Milburn Churchill Fellowship Project Summary September 2022 online

Read the full report Jane Milburn Churchill Fellowship Report 28 September 2022 online

Download Jane Milburn’s full report from the Churchill Trust website here.

Zero Waste Sewing, the book

Sewing in straight lines and basic math skills are all that’s required to achieve success with the simplest of the handmade clothing projects in a clever new book Zero Waste Sewing from South Australia’s Elizabeth Haywood.

Zero Waste Sewing is a practical and resourceful book based around 16 projects to make, wear and enjoy, with plenty of opportunity to modify and adapt them to suit your shape and preferences.

Through her ingenious patterns, Liz inspires a sustainable, resourceful approach by showing us how to use 100 per cent of the fabric, with nothing left over. Such a great goal to work towards!

The Craft of Clothes is Liz’s blog about sewing and fashion, and her earlier book The Dressmakers Companion, reflect her background and experience as a pattern maker and sewing teacher.

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Reuse to reduce textile waste

WornOut is an annual showcase of creativity and resourcefulness organised by Reverse Garbage Queensland to showcase designers working to reduce textile waste, with the 2019 theme being The Future of Waste.

As ambassador, Jane Milburn said that future really must be for us to waste nothing – and invest creative effort to keep materials endlessly circulating. Jane and ABC Brisbane’s Rebecca Levingston co-hosted this year’s event.

Rebecca Levingston and Jane Milburn co-hosts of WornOut 2019

‘There has never been a more important time to change our thinking and actions around reuse – to fully value and appreciate our planet’s precious resources,’ Jane said.

WornOut  is now in its third year and taps into the global awakening about social and ecological impacts of the fashion industry, which contributes up to 10 percent of humanity’s carbon emissions. It is curated by Elizabeth Kingston, supported Brisbane City Council and the Queensland Department of Environment and Science, and was held on November 23 at Princess Theatre with showcases of refashion, wearable art and cos play.

Jane said the purpose of the WornOut showcase is to:

  • invest human energy, skills and creativity to transform ‘waste’
  • change attitudes about when – if ever – textile resources are ‘wornout’
  • show thrift and resourcefulness thriving in the local circular economy
  • have fun with what we wear in inclusive and diverse ways

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WornOUT? The future of waste

Reverse Garbage Queensland is returning to the Princess Theatre in November to celebrate Brisbane’s growing upcycle community of refashion, wearable art and cosplay designers in their annual WornOUT Exhibition.
The future of waste in the textile industry will be explored by Brisbane’s community of slow fashion designers when their creations hit the runway at Reverse Garbage Queensland’s (RGQ) WornOUT? 2019 showcase on Saturday, November 23 at the Princess Theatre, Woolloongabba.
According to Jane Milburn from Textile Beat, slow fashion advocate and Exhibition ambassador,  Australians are the world’s second-largest consumers of new textiles, absorbing around 27kg of clothing fibres annually, while sending 23kg of textiles and leather to landfill each year.
This trend could be set to turn with the world’s largest fashion resale marketplace ThredUp reporting that the second hand market is expected to make up one-third of global consumers’ wardrobes by 2033.
“We’ll be showcasing double the number of garments from last year, which is our largest contingency of refashion, wearable art and cosplay designers in our three-year history”, said Bill Ennals, Exhibition Coordinator.

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Jane Milburn awarded Churchill Fellowship 2019

Jane Milburn of Textile Beat has been awarded a 2019 Churchill Fellowship to investigate ways that hands-on upcycling actions can reduce textile waste and enhance wellbeing.

The fellowship will enable Jane to undertake research across three continents to further her work inspiring social change and contributing to sustainable living across communities through slow clothing practice.

“I feel deeply honoured to be awarded a Churchill Fellowship and I believe this recognition will elevate the slow clothing work I’ve undertaken since observing fashion excess in 2011,” Ms Milburn said.

Jane Milburn: Churchill Fellow 2019, Slow Clothing author, Textile Beat founder, agricultural scientist and Fashion Revolution Australia committee member.

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Regenerating clothes into compost

There is simply no precedent for the volume of clothes in the world today so we are experimenting with ways to keep material resources in local circulation through soil after its initial purpose is served. Soil is our biggest carbon sink and the source of all fresh food and natural fibre, so it truly has superpowers worthy of enriching.

The composting process cycles four of life’s building blocks – carbon, oxygen, hydrogen and nitrogen – back into the soil so that it can support new growth. The clothing fibres need to be moistened to encourage and speed the decomposition process. The fibre becomes food for microbes, bacteria, fungi, moulds, worms, beetles, snails, mites, cockroaches and other critters, which are all part of the process.

By all accounts, when food and clothing go to landfill they emit the greenhouse gas methane which contributes to climate change. We can compost food waste in our backyards and neighbourhoods, so why not our clothing waste? Of course clothing with wearable life can be donated to charities but composting is a solution for cloth that has exhausted other purposes.

I cannot find a textbook that discusses composting clothes to regenerate as organic matter but I did find this online reference.  Industrial clothing recycling solutions may arise, but in the meantime composting provides a local solution.

In 2018, I did a backyard experiment and found most of the natural-fibre material swatches (wool, cotton, linen) disintegrated into ‘soil’ within the year while synthetic fibres remained inert. This is because fibres like polyester, nylon, acrylic are plastic, derived from fossil fuels the same as plastic bags, containers and bottles.

This year, we did another experiment with six garments (all started of similar size/volume) made from different fabric types being buried for three months in a compost bin at Bulimba Creek Catchment Sustainability Centre at Carindale in Brisbane.

Jane Milburn and Bulimba Creek Catchment Sustainability Centre nursery manager Leigh Weakley bury clothes in late May, left, and dig up in late August 2019.

Five of the garments were natural fibres (wool, cotton, linen, silk, viscose-blend) the sixth was lycra (not expected to breakdown). Most of the thread used to sew garments is polyester (synthetic) so it is not likely to breakdown. Buttons were reclaimed before burial.

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Memories in cloth

Do you carry an old-fashioned cloth handkerchief in your pocket or purse? Tissues and packaged wipes might be more convenient but we are becoming aware of their cumulative waste and moving back to reusable products.

There are memories in cloth. Favourite pieces may be mended and patched to extend their lifetime. Special garments may hang in wardrobes, even if they no longer fit, because they hold moments in time. The glimpse of an old favourite floral shirt, down-cycled to cleaning rag, evocatively sparks remembered joy of wearing. I am thrilled with my fabric-painted hanky squares that once were my little kids t-shirts (they’re now aged 24, 29 and 30) now upcycled as all-purpose cloths in my handbag.

These words first published in QCWA’s Ruth Magazine Winter edition 2019

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Composting clothes into nutrients

There is simply no precedent for the volume of clothes in society today and we need to experiment with other ways of keeping material in circulation locally. When you’ve exhausted options for swapping/reselling clothes or donating them to charities, recycling in your backyard is a valid option. When something is biodegradable, it is capable of decomposing into raw materials and cycling back through the ecosystem without pollution. All natural-fibre clothing is in this category and therefore biodegradable, although the time taken will vary.

Composting your natural-fibre clothing works in exactly the same way as putting vegetable scraps and spoilt food into the compost. They decompose and becomes food for new plants. The composting process cycles four of life’s building blocks – carbon, oxygen, hydrogen and nitrogen – back into the soil so that it can support new growth. The clothing fibres need to be moistened to encourage and speed the decomposition process. The fibre becomes food for microbes, bacteria, fungi, moulds, worms, beetles, snails, mites, cockroaches and other critters, which are all part of the process.

I confirmed this in my backyard science experiment when I buried synthetic and natural fibre swatches in my garden during 2018. Almost all the natural fibres decayed while the synthetic remained untouched. Synthetics are derived from petroleum, do not absorb water, and are effectively plastic. In May 2019, we set up a compost experiment at Bulimba Creek Catchment Sustainability Centre at Carindale with which we will revisit at the end of August.

Jane Milburn and nursery manager Leigh Weakley at Bulimba Creek Catchment Sustainability Centre.

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Upcycling is on trend

Who wants our waste, our rubbish and our cast-offs? Last year’s news was China rejecting our recycled materials, this year’s news is charity shops being so overwhelmed they called a temporary halt to donations. It is time for a serious rethink on stuff.

When we go camping or on holidays we realise how little stuff we really need. At home we may have wardrobes full of garments while studies show we only actively wear about 20 percent of them.

Marie Kondo, The Minimalists and others have turned stuff management into a profession as everyday people become overwhelmed with possessions that are ultimately of little value.

Melissa Iland and Jenny Donaldson upcycling at CWA Tambo, reviving existing natural-fibre resources for fun, creativity and as a hands-on local response to sustainability and climate change.

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Slow Clothing in libraries

I found my book Slow Clothing on the shelf at @brisbanelibraries Kenmore this week.  I was curious to know how it is categorised and pleased to find it under Social Science, Economics.
Economist Richard Denniss, author of Curing Affluenza, and the ABC’s War on Waste warrior Craig Reucassel earlier launched the book in Canberra and Sydney respectively, which affirms this library classification.
I have been doing values-based action research since 2013 as a response to fast fashion culture, textile waste and pollution. My goal was to make a difference, to influence and inspire change. Slow Clothing was self-published in late 2017. It is a holistic narrative around dressing for health and wellbeing, living lightly through the everyday practice of how we choose, wear and care for clothes.
There’s a lot more awareness and talk about sustainability in fashion now than when I started this work. That’s a good thing. It may, or may not, translate into substantial and sustained change. Keeping a watching brief on that and charting my next body of work.
#slowclothing #libraries #economics #culture #bethechange #livelightly #sustainableliving #climatechange #curingaffluenza #waronwasteau #sustainablefashion #fashionrevolution #leadership #naturalfibres #nomicroplastic