Churchill Fellow finds stitching skills and agency are antidotes to fast fashion

Developing stitching skills and regenerating our own agency in the wardrobe are antidotes to fast fashion, according to Churchill Fellow Jane Milburn who spent two months researching upcycling actions that help reduce textile waste and enhance wellbeing.

Jane’s multidisciplinary project is at the intersection of culture, creativity, science, health and wellbeing in the way we dress. It aims to inspire social change and contribute to climate action and sustainable living across communities by shifting the culture of fast fashion consumption towards slow clothing philosophy and practice.

It highlights citizens, educators, designers, influencers and practitioners who are independent from fast fashion because they have developed their own style, regenerated their own agency and empowered themselves through fit-for-purpose wardrobe solutions that offer diverse entry points.

One of 55 people Jane met on her Churchill Fellowship was Professor Kate Fletcher, co-author of Earth Logic.

This fellowship is about disrupting the fashion system through the power of consumer behaviour and choices because there is no better time for the citizenry to be activated and engaged through everyday practices. It is about taking charge of our clothes, divesting ourselves from dependency on destructive systems by becoming actively engaged in and caring for what we wear rather than passively choosing from the latest offerings. It is grounded in the practices, choices and actions that reduce our material footprint: think, natural, quality, local, few, care, make, revive, adapt and salvage as outlined in The Slow Clothing Manifesto.

It is about regenerating our own agency and being empowered through skills, knowledge and desire to assemble a wardrobe of garments that we want to wear and keep in service for as long as possible. Agency is attained through simple skills to undertake acts of styling, mending, co-designing, and upcycling to appreciate and value the natural resources that go into clothes and manipulating them to fit our needs. Being more engaged with our clothes is a driver for systemic change as well as bringing with it financial, environmental, empowerment and wellbeing benefits. At its simplest, it is being resourceful and using commonsense; neither expensive nor particularly difficult.

“Across the world, I found many individuals, academics, social enterprise and small business change agents envisaging and implementing small and slow solutions that can help people solve problems in their wardrobes,” Jane said.

A summary of ways people are undertaking actions that help in REDUCING TEXTILE WASTE include:

  1. restyling and wearing what is already in the wardrobe
  2. thrifting, mending and dyeing existing clothes
  3. redesigning, co-designing using existing clothing and materials
  4. making their own clothes, some hand-stitching to further slow the process
  5. liberating and sharing dormant and waste textile resources within local supply chains
  6. skill and knowledge sharing within communities
  7. supporting local, regenerative natural fibre and design systems

A summary of ways people are ENHANCING WELLBEING from hands-on actions include:

  1. a sense of empowerment and agency over what they wear
  2. a sense of playfulness, joy and self-expression in having interesting clothes
  3. feelings of calm, relaxation, self-soothing, distraction, resilience and meditation
  4. comfort from slowing down, thinking through making, and being resourceful
  5. a felt sense of meaning and mindful connection to self, clothes and community
  6. a sense of contributing to broader solutions for fashion waste
  7. feelings of interconnection to nature and the natural world

This report includes ways that all citizens with a can-do, will-do, mindset can regenerate their agency when they allocate leisure time to resourceful creativity rather than shopping for quick fixes.

While the ‘making do’ in earlier times was born from lack of resources and most people did it,  nowadays ‘making do’ is more likely to be a response to excess and, ironically, it may be the privileged who are currently most engaged. Modern ‘making do’ is more about choices and actions to be resourceful and sustainable, more likely about saving the planet than specifically needing to save money.

“The people I met have become more self-reliant in various ways by developing skills and insights to make themselves independent of the fashion supply chain. They are reclaiming control of their wardrobe by being more hands-on in creatively making, mending, redesigning or restyling clothes already around them to reduce waste and enhance wellbeing. They are empowered through what they wear and uninterested in slavishly following trends that provide fleeting satisfaction at best.

“Through this Fellowship, I tapped into the citizenry swimming against the all-consuming tide. They are engaging in hands-on processes that enable a consumption pause, taking time for self-reflection and working with what is at hand before making considered decisions in any new purchases.

“These citizens are showing that culture change is possible when we inform ourselves and learn skills of independence and resourcefulness, and invest time in the process. “

RECOMMENDATIONS from Jane’s Fellowship are:

  1. More education around hand-sewing skills for mending, tinkering and mindfulness
  2. More opportunities to engage and share clothing resources, skills and creativity
  3. Wellbeing services based around regenerating agency in the wardrobe
  4. Redesign services that enable engagement and co-design
  5. More engagement through opportunities to practice permaculture and citizen science
  6. More awareness-raising of unsustainable consumer culture and greenwashing
  7. Localisation to promote and enable place-based fibre systems and culture

This Fellowship is a step towards changing the consumer culture of dependence on global fast fashion supply chains to one of independent flourishing of local creativity, engagement and connection through what we choose to wear.

It brings focus to the concept of dressing for health and wellbeing rather than status and looks, and outlines how engaged citizens can gain wellbeing benefits by regenerating their own agency using what is around them and, in so doing, contribute to reducing the textile waste burden.

“We can’t change the world, but what we can do is change the way we live through our everyday practices. Those small decisions and choices for living simply are within our means, they are the steps to leading a modest yet fulfilling life in harmony with the natural world.”

Read the summary Jane Milburn Churchill Fellowship Project Summary September 2022 online

Read the full report Jane Milburn Churchill Fellowship Report 28 September 2022 online

Download Jane Milburn’s full report from the Churchill Trust website here.

Churchill fellow investigates ways to reduce our material footprint

Hot on the heels of Earth Day (April 22) and Fashion Revolution Week (April 18-24), Churchill fellow Jane Milburn departed on April 28 to undertake fellowship study investigating ways that being more aware and hands-on with clothes can help reduce our material footprint.

Clothing accounts for up to 10 percent of our environmental footprint and everyday practices that extend the lifespan of clothes – caring, repairing, rewearing, restyling, upcycling – can reduce its ecological impact and create independence from fast-fashion cycles.

Since 2012, Jane has advocated for living simply through sustainable practices with a particular focus on how we choose, care for and dispose of clothing. Jane won a Churchill Fellowship in 2019 to “investigate ways that hands-on upcycling can help reduce textile waste and enhance wellbeing” but her 2020 trip was postponed due to the pandemic. This week Jane begins eight weeks’ travel in New Zealand, the United States, the United Kingdom, and Japan to meet with slow fashion practitioners, academics and sustainability leaders.

Jane Milburn interviewed by ABC Mornings Presenter Rebecca Levingston before leaving on her fellowship.

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Good Earth Cotton ticks all the boxes

Carbon positive, water efficient and growing within an ethical and traceable supply chain are the signatures of Good Earth Cotton pioneered by innovative growers David and Danielle Statham who run Sundown Pastoral Company in New South Wales and Queensland.

Their Keytah farm at Moree, NSW, hosted the Painted River Project and Bank Art Museum Moree in March 2022 to facilitate conversations and creativity around the use of water and natural resources in the sustainable production of food and fibre as the essence of life.

There are 1600 cotton farms operating across Australia in what is a successful, high-pressure industry on farms that are amongst the biggest in the world. Collectively these farmers apply technology including high-yielding seed that has been genetically modified using a naturally-occurring protein to maximize production while using integrated pest management to reduce chemical usage by 97 percent (ie once they sprayed up to 16 times to control insects, now only 1 or 2). Technology also has driven water-use efficiency measures that grow more cotton with less water. David Statham said these changes have occurred alongside increasing community awareness of the need to conserve natural resources and protect ecosystems. Seventy percent of water flows are allocated to environmental flows to protect natural habitats, river systems and wetlands which feed the Murray Darling River System.

Keytah farm manager talking cotton with Painted River Project artists – Moree 2022  Photo by Sally Tsoutas

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Dress with a good story to tell

This Art of Planetary Health dress has a good story to tell about how it came to be.

It was created in the field during the 2022 Painted River Project at Moree, run by the Bank Art Museum Moree and led by Dr Leo Robba from Western Sydney University, during a gathering of people at the intersection of ecology, farming, art and health.

Jane Milburn imprints Good Earth Cotton with good earth. Photo by Lauren Marer

It is handmade from carbon-positive, sustainable, traceable, high-quality Good Earth Cotton grown at Keytah farm from seed modified to resist insect attack and under irrigation to enable resource-use efficiencies.

Although the cotton used in this dress had travelled offshore to be spun and turned into fabric, I imprinted it with the good earth on which it was grown before adding marks and fabric paint.

Adding colour and linear design elements to the fabric

Cutting out the dress on the banks of the Mehi River in Moree as part of the making process

The fabric was then cut and stitched it into a dress on the banks of the Mehi River in between conversations about cotton and slow fashion. There is nothing like putting our own energy into making clothes to truly appreciate the time, skills and resources that go into those we buy.

This project was the subject of a feature story in The Guardian by Lauren Marer

Pinning the seams on the river bed for final stitching of side seams. Photo by Sally Tsoutas

 

Jane Milburn awarded OAM

Since 2012, Jane Milburn has advocated for living simply through sustainable everyday practices with a particular focus on how we choose, care for and dispose of clothing, and a decade on has been awarded a Medal of the Order of Australia for service to fashion sustainability.

Jane Milburn, OAM, recognised for slow clothing advocacy. Photo by Robin McConchie

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Slow Clothing culture

Slow Clothing is the antithesis of fast fashion. It is a way of thinking about, choosing, and wearing clothes so they bring value, meaning and joy to every day. We have finite resources on Earth and careful use of those resources is required to sustain our individual and collective future. Slow Clothing is a holistic approach to dressing that enables self-empowerment and individual actions to enjoy clothes while minimising our material footprint. It manifests through ten simple actions and choices—think, natural, quality, local, few, care, make, revive, adapt and salvage. This post is an extract from Jane Milburn’s 2017 book Slow Clothing: finding meaning in what we wear.

Dressing is an everyday practice that defines and reflects our values. We are naturally attached to clothes on a physical, emotional, even spiritual level. We are particular about what we wear because we want to look good, feel comfortable, reflect an image and belong. Yet almost all our garments are now designed for us and we choose from ready-made options based on our age and stage of life, work, status and spending capacity. Unless we deliberately choose to step off the fast-fashion treadmill, we are trapped in a vortex with little thought beyond the next new outfit—without consideration for how we can engage our own creative expression, energy and skills.

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On the Textile Beat enews

Our enews update, On the Textile Beat November 2021, includes this graphic, below, summarising circular textile approaches: practical, mechanical, chemical, microbial and by design which I shared at a recent Circular Economy Futures event in Brisbane.

Everyone can enact the practical approach through everyday actions and choices as per the Slow Clothing Manifesto: think, natural, quality, local, few, care, make, revive, adapt and salvage.

 

Upcycling Challenge brings dormant textiles to life

Due to the Omicron outbreak, Eco Fashion Week Australia and the associated Upcycling Challenge (outlined in the post below) has been postponed until 2023.

Garments with meaning and story fit for A Closet of the Anthropocene will form the Upcycling Challenge collection at the upcoming Eco Fashion Week Australia in 2022.

Participating designers are asked to choose a ‘’hero’’ textile lying dormant in its current form and build on that to create a uniquely meaningful garment with a great story to tell about how it came to be in the world.

The hero textile might be Granny’s embroidered tablecloth, Mum’s outdated wedding dress, Dad’s old uniform, a favourite childhood dress or jumper, something painted in art school, or a beautiful but damaged treasure discovered in an op shop. This textile can be repurposed along with other materials of choice into a storyful creation with the hero at heart.

The EFWA Upcycling Challenge coordinator is Jane Milburn who has been personally upcycling since 2013 as a way to spark action in response to fashion excess and textile waste. Her upcycled wardrobe includes history skirts, denim tunics and geometric dresses made from dormant materials.

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A closet fit for the Anthropocene

The global fashion industry has faced a reckoning in recent years as wearers awaken to the exploitation, waste and pollution created by the unsustainable pursuit of fashionability in the 21st century.

There are alternatives emerging and those at the leading edge will be showcased in the welcome return of Eco Fashion Week Australia (EFWA) on runways and exhibitions across Western Australia in 2022.

EFWA founder and designer Zuhal Kuvan-Mills said art shows and avant-garde design exhibitions will present the work of fashion artists and designers across the world and challenge conventional notions of fashionability.

A Closet of the Anthropocene, named for the current geological age in which human impacts have predominantly influenced climate and the environment, is the central theme for the third EFWA.

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Local through and through

An alignment of values was integral to Timber Queensland’s search for a local natural-fibre shirt to include in marketing materials for its Buy Queensland Timber campaign.

“We are promoting the benefits of natural, renewable locally-sourced building products and our message is buy local, from local supply chains,” said the group’s strategic relations and communications manager Clarissa Brandt. “We wanted to echo that and work with other local supply chains to tell our story and walk our talk.”

Jason Ross in local cotton with Clarissa Brandt, in front of local contemporary charred timber cladding.

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