By Jane Milburn Textile Beat founder and sustainability consultant
Textile Beat founder Jane Milburn clothed in wool garments given a second life using eco-dye. Photo by Ele Cook
My campaign on clothing waste has been a lifetime in the making. It began as a child learning hand-making skills and continued as a student upcycling big old dresses and thrifted finds.
I made many of my clothes for decades then rediscovered op shops in 2011 after a Fashion for Flood fundraiser. I began visiting op shops and particularly seeking out natural-fibre garments – wool jumpers with a hole, linen shirts with a missing button. The waste of resources troubled me because I grew up on a farm and have an agricultural science degree. What was happening to our clothing culture I wondered?
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There is a huge excess of clothing in society due to the transformational shift in the way we buy, use and dispose of our garments these days, which is leaving us less engaged and wasteful.
We are buying up to four times more clothes than we did two decades ago, exploiting people and resources as well as creating environmental problems because of the trend towards synthetic clothes derived from petroleum.
We need to think more about whether we need new clothing, then choose to buy quality, natural, local and just a few.
Alternatively, we can get creative and learn to care, repair, adapt and revive existing clothing.
The Slow Clothing Manifesto is a summary of ways to thrive in a material world. Be more conscious about our clothing, in the same way we have become conscious of our food.
After more than a decade of ‘disposable’ fast fashion, there’s growing interest in ethical and sustainable clothing with a good story to tell.
The Slow Clothing Project is about people choosing to make or upcycle their own clothes – read our maker stories here.
The Slow Clothing Project aims to spark a national conversation about clothing use and reuse by creating a digital collection of stories and garments handmade by local makers. The focus is on natural fibres, textile reuse and making our own, where possible. The garments – made between February to November – each tell a different story about mindful and sustainable resource. These stories reflect 10 actions to enable us to thrive in a material world. Continue Reading →