Cathy Stuart from Newcastle in New South Wales believes that the act of making something, particularly from reused or old stuff, can create a deep sense of satisfaction, achievement and self-worth for the maker. Resourcefulness and resilience are enhanced. Being able to re-use and re-purpose an object is, in Cathy’s view, a key skill in becoming more environmentally sustainable. It reduces our need to consume new resources as well as makes us responsible for managing our own waste.
Jasmine wears an upcycled couture creation made by her mother Cathy Stuart for The Slow Clothing Project
Cathy is increasingly disturbed by the new ‘normal’ in how our society of planned and perceived obsolescence operates, driving totally unsustainable levels of consumption. “We are somehow lulled into believing that this is the only way our economy and therefore society can survive. I worry about the world my teenage daughters are growing up in, where cheap fashion is close to worthless one season after it is bought, and op shops are even now struggling to cope with the deluge of clothing and homewares they receive,” she said.
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Rozalie Sherwood loves the concept of not having too much, especially too much clothing. She lived and worked in China for two years and during that period experienced the particular freedom that comes with not having too many possessions to care for. In addition, she particularly loves the potential for creating individual garments that become a statement we present to the outside world, as a reflection of who we are.
Olivia wears the jacket made specially for her by her mum Rozalie Sherwood as part of The Slow Clothing Project
Jackets – the outer garments worn by both men and women – are her favourite canvas. Rozalie’s jackets are a comment on our accumulative and acquisitive society; we buy many cheap items and end up with a wardrobe of things we rarely wear. Whereas one beautiful, thoughtful, meaningful jacket can be worn forever. Rozalie made such a jacket for her eldest daughter Olivia – which now features in The Slow Clothing Project.
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