Category Archives: slow clothing

Mendful, mindful, meaning in stitches

Mended garments carry a story of care. They reflect the triumph of imperfection over pretension while the act of mending itself brings transformation in both mender and mended.

By embracing repair as a valid and useful act we, the menders, are stitching new life-energy into something others step over in the scrabble onwards and upwards. To pause, apply creative problem-solving and add a mark of care to our clothes, we extend their life and bring meaning to our own.

The clothes we wear are a statement of values. We may go through stages of searching for newer, sharper images and think clothes, like makeup and leopard spots, can camouflage and attract the right sort of attention. Alas, the pipe dream.

By letting go of the idea of perfection and embracing clothes as skin friends that need loving care occasionally, we come home to our true self. Our clothes become conversation starters with others who believe in planetary health by taking slow-clothing actions: think, quality, natural, local, few, care, make, revive, adapt and salvage.

Jane Milburn of Textile Beat hosts a clothing repair café at Reverse Garbage Queensland in Brisbane every second month. Swing by next time and spend time with others who care. Embrace post-materialism and wear your heart on your sleeve, it’s much simpler than seeking a perfection that doesn’t exist.

The photos below are from last night’s gathering ahead of Fashion Revolution Week April 24-30. Read more about the repair cafe movement in this sustainable style article by Clare Press.

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Slow food and slow clothing

TEDxQUT talkBelow is original script from Jane Milburn’s TEDxQUT talk on April 8, 2017.

This suitcase weighs 23kgs – it’s overweight if you’re flying. And it represents the amount of leather and textiles that each Australian sends to landfill every year.

Every one of us … every year.

We know about food waste and that a third of food is never eaten – clothing waste runs parallel to that.

Every day we eat and dress to survive and thrive.

Our clothes do for us on the outside what food does inside. They warm and protect our body – and influence the way we feel.  Continue reading

Textile Beat leads change

Few people sew their own clothes these days because factory-made options are cheap and plentiful, yet this trend creates a clothing surplus that requires creative solutions to keep it out of landfill.

Textile Beat is celebrating four years of upcycling and helping influence a more sustainable clothing culture based on using natural fibres and applying traditional skills in innovative ways.

Jane Milburn of Textile Beat

Sustainability consultant Jane Milburn of Textile Beat

Textile Beat founder Jane Milburn said the Slow Clothing Manifesto identifies 10 actions we can take to thrive in a material world: think, natural, quality, local, care, few, make, adapt, revive and salvage.

“Clothes do for us on the outside what food does inside – nourish and warm our body and soul. Fast and processed industrial food has had a dramatic impact on health in recent years and similarly the shift to industrial clothing has social and environmental impacts we are only now learning,” Jane said.

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Slow clothing philosophy

Start where you are, use what you have, do what you can. Using observation and instinct, Jane Milburn and Textile Beat join the dots and explore a science-based narrative about clothing.

Clothes do for us on the outside what food does on the inside – they nourish and warm our body and soul. In the same way that conscious eaters are sourcing fresh whole food and returning to the kitchen, conscious dressers are seeking to know more about the provenance and ethics of clothing and curious about how it is made. Every day we eat and we dress to survive and thrive, and it is not just the style that matters, substance does too.

War on Waste interview with Craig Reucassel web

War on Waste with Craig Reucassel, coming to ABC TV in 2017

Fast and processed industrial food has had a dramatic impact on our health in recent years and similarly there has been transformational shift to industrial factory-made clothing, the social and environmental impacts of which we are only now coming to understand.

The Food and Agriculture Organisation reports that at least one-third of food produced is never eaten and creative solutions are emerging to divert and reduce that waste. In the same way, there is growing evidence a third of clothing is wasted, with much potential to upcycle and redeploy it. My purposeful work is bringing awareness to these and other material issues.

More than 90 percent of garments sold in Australia are now made overseas, mostly in Asian factories. Most people buy off-the-rack or online, with very few making anything for themselves to wear. As a natural-fibre champion, I am troubled that synthetic fibres made from petroleum now dominate the clothing market at a time when research shows these plastic clothes are shedding millions of microplastic particles into the ecosystem with every wash.

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Engage in slow clothing

There is a huge excess of clothing in society due to the transformational shift in the way we buy, use and dispose of our garments these days, which is leaving us less engaged and wasteful.

We are buying up to four times more clothes than we did two decades ago, exploiting people and resources as well as creating environmental problems because of the trend towards synthetic clothes derived from petroleum.

We need to think more about whether we need new clothing, then choose to buy quality, natural, local and just a few.

Alternatively, we can get creative and learn to care, repair, adapt and revive existing clothing.

The Slow Clothing Manifesto is a summary of ways to thrive in a material world. Be more conscious about our clothing, in the same way we have become conscious of our food.

Slow clothing manifesto

More clothing, fewer skills

Australians buy an average of 27 kilograms worth of new clothing and textiles each year, two-thirds of which are made from manmade fibres derived from petroleum according to sustainability consultant Jane Milburn.

Ms Milburn said Australians are the second-largest consumers* of new textiles after north Americans who annually buy 37kg each, and ahead of Western Europeans at 22kg while consumption in Africa, the Middle East and India averages just 5 kg per person.

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“There’s been a transformational shift in the way we source, use and discard our clothing which has major social and environmental implications. Fast fashion produced from global supply chains is driving excessive purchasing of affordable new clothing often discarded after a few wears,” she said.

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Lifestyles of simplicity – Dr Nicola Smith

During 2016, The Slow Clothing Project published 40 stories of people who make items of clothing for themselves to wear. It is fabulous to be able to conclude with a story from someone who has both personal and academic insights into our desire to make and create.

After five years of research into creativity and DIY, and many years of ‘hands on’ engagement with design-build projects, Dr Nicola Dawn Smith from Yallingup in Western Australia said her experience indicates the enormous personal and environmental value in becoming a bricoleur.

Dr Nicola Smith wears a comfortable and buttonless top made in her own style for The Slow Clothing Project.

Dr Nicola Smith wears her comforable and buttonless top made in her style for The Slow Clothing Project.

“A bricoleur (as interpreted in my study) is someone who uses whatever is to hand (not buying more tools/materials) with whatever skills they have (and can learn); someone who becomes immersed in the moment, the practice, the doing,” Nicola said.

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Making for meaning – Jennifer Bain

Jennifer Bain has been sewing most of her life. Her mother taught Jenny to sew and her Dad taught her to knit. And her commitment to sewing has become more earnest since 1987 when she took to patchwork.

“In 1987, I did a quilt-making course in Hunter Street, Newcastle where I made an Amish-style quilt – Sunlight and Shadows – and since then I have made more than 100 quilts. After discovering the Modern Quilt Movement, I have focused on challenging myself by sewing in meaningful ways,” Jenny said.

Jennifer Bain shows how she brings meaning to quilts and garments as part of The Slow Clothing Project

Jennifer Bain shows how she brings meaning to quilts and garments as part of The Slow Clothing Project

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Handing on skills – Michelle McRae

Michelle McRae from Orange in New South Wales believes handmade skills – such as sewing, knitting/crocheting, gardening, cooking – are important for many reasons. They provide an outlet for creativity and sense of accomplishment. In turn this improves self-worth, independence and resilience. They also provide a connection to others, family and community, as skills can be taught and shared. In addition handmade skills provide for a sustainable community, both financially and emotionally.

With help from mum Michelle, Grace McRae created her own overalls as part of The Slow Clothing Project

With help from mum Michelle, Grace McRae created her own overalls as part of The Slow Clothing Project

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Coining a garment – Vivienne Poon

Knowing the story behind the garment is a certainty when you’ve made it yourself, and when you’ve been creative and resourceful in the making then you are wearing something totally unique. Such was the case when a friend gave Vivienne Poon some 1936 Fiji pennies and she set about developing a design to incorporated them – in a bodice featuring two-coin tassels which chink when she walks, and a hemline with one-coin tassels that are not too weighty.

Vivienne Poon wears the garment she created for The Slow Clothing Project.

Vivienne Poon wears the garment she created for The Slow Clothing Project.

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