Brisbane is the first city in the world to host a pop-up secondhand fashion festival as a waste minimization strategy, to the best of my knowledge. I (Jane Milburn) checked with New York refashion academic Sass Brown and Sass knows of no other. Do tell if you know of another.
Stiltwalkers showcase refashion at the 2016 Revive event in the heart of Brisbane. Photo by Brisbane City Council
Revive is in its second year and pops up again on 18 August 2017 at South Bank Forecourt from noon to 9pm. Hats off to Brisbane City Council, Cr Peter Matic and Cr David McLachlan for leadership. With textiles being one of the fastest growing domestic waste streams, fuelled by fast-fashion turnover, I am proud to have been in the room at its conception. Thank you to Cr Matic for acknowledging my contribution.
The advent of Revive followed a 2015 opportunity I had to address a council meeting on a matter of public importance. Here’s the link to my 2015 address (including Hansard pdf) when I spoke of the need to develop a more sustainable clothing culture. Revive is a huge step in this direction. Continue reading →
Clothing of today changes faster than the weather. Buying clothes, wearing them once and leaving them in the cupboard is commonplace. This is not an assumption, it is a regular observation.
I am a 19-year-old journalism student at Griffith University sharing a male perspective on contemporary clothing culture and how to combat the fashion monster that has come to dominate our thinking.
My clothing choices are independent as I try to stay away from the fast-fashion options and prefer to develop my own style. My solution is op-shopping and second-hand stores which are increasingly popular among younger generations. For many my age, the vintage revival is booming and op shops are becoming trendy places which also happen to provide a more sustainable way to dress. Continue reading →
By Jane Milburn Textile Beat founder and sustainability consultant
Textile Beat founder Jane Milburn clothed in wool garments given a second life using eco-dye. Photo by Ele Cook
My campaign on clothing waste has been a lifetime in the making. It began as a child learning hand-making skills and continued as a student upcycling big old dresses and thrifted finds.
I made many of my clothes for decades then rediscovered op shops in 2011 after a Fashion for Flood fundraiser. I began visiting op shops and particularly seeking out natural-fibre garments – wool jumpers with a hole, linen shirts with a missing button. The waste of resources troubled me because I grew up on a farm and have an agricultural science degree. What was happening to our clothing culture I wondered?
Mended garments carry a story of care. They reflect the triumph of imperfection over pretension while the act of mending itself brings transformation in both mender and mended.
By embracing repair as a valid and useful act we, the menders, are stitching new life-energy into something others step over in the scrabble onwards and upwards. To pause, apply creative problem-solving and add a mark of care to our clothes, we extend their life and bring meaning to our own.
The clothes we wear are a statement of values. We may go through stages of searching for newer, sharper images and think clothes, like makeup and leopard spots, can camouflage and attract the right sort of attention. Alas, the pipe dream. Continue reading →
Start where you are, use what you have, do what you can. Using observation and instinct, Jane Milburn and Textile Beat join the dots and explore a science-based narrative about clothing.
Clothes do for us on the outside what food does on the inside – they nourish and warm our body and soul. In the same way that conscious eaters are sourcing fresh whole food and returning to the kitchen, conscious dressers are seeking to know more about the provenance and ethics of clothing and curious about how it is made. Every day we eat and we dress to survive and thrive, and it is not just the style that matters, substance does too.
War on Waste with Craig Reucassel, coming to ABC TV in 2017
Fast and processed industrial food has had a dramatic impact on our health in recent years and similarly there has been transformational shift to industrial factory-made clothing, the social and environmental impacts of which we are only now coming to understand.
The Food and Agriculture Organisation reports that at least one-third of food produced is never eaten and creative solutions are emerging to divert and reduce that waste. In the same way, there is growing evidence a third of clothing is wasted, with much potential to upcycle and redeploy it. My purposeful work is bringing awareness to these and other material issues.
More than 90 percent of garments sold in Australia are now made overseas, mostly in Asian factories. Most people buy off-the-rack or online, with very few making anything for themselves to wear. As a natural-fibre champion, I am troubled that synthetic fibres made from petroleum now dominate the clothing market at a time when research shows these plastic clothes are shedding millions of microplastic particles into the ecosystem with every wash.
Michelle McRae from Orange in New South Wales believes handmade skills – such as sewing, knitting/crocheting, gardening, cooking – are important for many reasons. They provide an outlet for creativity and sense of accomplishment. In turn this improves self-worth, independence and resilience. They also provide a connection to others, family and community, as skills can be taught and shared. In addition handmade skills provide for a sustainable community, both financially and emotionally.
With help from mum Michelle, Grace McRae created her own overalls as part of The Slow Clothing Project
Knowing the story behind the garment is a certainty when you’ve made it yourself, and when you’ve been creative and resourceful in the making then you are wearing something totally unique. Such was the case when a friend gave Vivienne Poon some 1936 Fiji pennies and she set about developing a design to incorporated them – in a bodice featuring two-coin tassels which chink when she walks, and a hemline with one-coin tassels that are not too weighty.
Vivienne Poon wears the garment she created for The Slow Clothing Project.
Slow clothing is a different way of dressing and thinking about clothing than the way most of the world sees it, says New South Wales teenager Eliza Kelly. “It is exciting to think that I can dress in a way that uses old, or out-of-fashion clothing to make something new. I love the way that I can create something original, unique and different. Isn’t it awesome when someone says ‘what a nice …… where did you get it?’ and I can say that I made it! It makes me warm on the inside when I know that I have recycled something and given it another life,” Eliza said.
Eliza Kelly from Parkes NSW wears her upcycled denim skirt for The Slow Clothing Project
“The attitude of the world today seems to be that ‘new is better’, and ‘more, more, more’, but I think that there is so much beauty, uniqueness and stories to be told about recycled and re-modelling clothing. There is so much to be gained by recycling and re-using the materials that we have been given, and changing things with older fit, style or fashion to be useable today and tomorrow,” she said.
Kate Fletcher from Tasmania has been involved with making and recycling clothing as long as she can remember. For the past 10 years she has organised a sustainable clothing show at the Local Sustainable Living event in Hobart, motivated by growing awareness of the environmental and social impacts of the global clothing industry.
Tasmania’s Kate Fletcher wears her story-filled garment hand-stitched for The Slow Clothing Project
Kate’s individual style is influenced by people at home and abroad, many of whom she is connected with through the volunteer program Willing Workers on Organic Farms.